Through an interpreter, Hwang says, “I was totally financially deprived” around 2008, when he conceived the story “and wanted to depict the society I was living in. He and his collaborators use sly cinematic language with coded meanings in elements such as numbers, set design, colors and paintings. In its nightmarish carnival of the economically struggling wagering their lives for the amusement of wealthy voyeurs, creator, writer and director Hwang Dong-hyuk unleashes a blistering critique of the system that makes such a story seem not impossible. Netflix’s most popular series to date, “ Squid Game,” isn’t just a creepy thriller about a survival competition.
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